Application & Important Dates
SongFest 2025 (May 18 - June 8)
SongFest uses a YAP Tracker application.
You do not need to be a paid subscriber to YAP Tracker to use this application form.
Need help? Access the YAP Tracker Tutorial.
Application Submission Deadlines:
Auditions will be by VIDEO SUBMISSION on YAP Tracker for SongFest 2025. Application, video recording or YouTube link and scholarship materials are due by: February 28, 2025. SongFest acceptance decisions are on a rolling basis. Early applications are strongly encouraged.Scholarship
Singer/piano duos are encouraged.
Scholarship requests and materials MUST be submitted before or with your application to be considered. Due February 28, 2025. Any scholarship will be included in your acceptance letter.
Audition Requirements
Studio Artist Singers
Prepare three art songs in two different languages. (arias are optional for Studios) Applicants are encouraged to include a song in English as part of their selections. Optional: you may prepare a fourth selection that highlights a special interest: (musical theater, aria, oratorio, new-music, etc.)
Young Artist & Professional Singers
Prepare three art songs in three different languages and an aria.. Applicants must include a song in English as part of their selections. Optional: you may prepare a fifth selection that highlights a special interest: (musical theater, oratorio, new-music, aria etc.)
Pianists
Prepare four selections – two art songs in contrasting style and two other works of your choice - arias or additional songs; one of these may be a solo work.
Important Deadlines:
January 15: YAP Tracker application open.
February 15: ‘Early Bird’ deadline with $25 application fee.
February 28: YAP Tracker deadline with $40 application fee.
February 28: Draft of recital program to be considered for the
Art Song Prize.March 5: Finalists for of the Art Song prize will be notified.
March 10: The winning duo will be notified.
March 18: Final Notification of acceptance for all applicants.
A repertoire questionnaire will be sent with your
acceptance letter.March 20: Last date for $700 non-refundable deposit due.
April 1: Remainder of fees due in full for all applicants.
April 1: All supporting materials for the recital project awardees must be e-mailed to: songfestus@gmail.com
April 8: Completed repertoire questionnaire due. (very important)
April 25: Repertoire assignments completed and sent to all accepted.
May 18: Check- in. SongFest at Potash Hill, Marlboro VT
June 7: Final Concert, 3 p.m.
June 8: Check-out before noon.
Auditions
2025 Auditions will be RECORDED on YAP Tracker.
If you wish to audition live in Cincinnati, please contact Rosemary at
songfestus@gmail.com or (310) 384-3706
Questions?
If you have any questions about your application, please send an email to: songfestus@gmail.com
Worth the Investment and More
“I feel very strongly that young singers need more than ever the kind of excellence they find at Songfest. To be a part of [the] program is to receive almost a crash course in the great tradition of singing and expression. And the miracle is that this crash course is offered in a loving, protective and “safe” environment which protects and nourishes the young performer. They can thus start out on their journeys with more courage and conviction and confidence. All the singers whom I have met who have been a part of this program, have received an invaluable gift that will influence not only their careers but their lives.”
“In my many years of a long career of touring as a composer and as a collaborative pianist with my wife Joan Morris, as a professor of composition at the University of Michigan, as composer of three operas for Lyric Opera of Chicago, and as a resident of many festivals worldwide – I think one of the absolute prime experiences has been our two-week residency at SongFest.
After a long flight, we hit the ground running and it was like that for our whole high-adrenaline stint there. The singers and pianists, professionals and students alike, were consistently at the top of their form.
What was paramount was the positive attitude, the de-emphasis on competition in favor of a great deal of collaboration (not found everywhere!!), and the friendly atmosphere SongFest generates. In a time when it is often said that non-commercial music is in the doldrums (which is far from true), SongFest is living proof of the vitality of art music and song and the growing
versatility of young singers and collaborative pianists being developed there.
Long may it wave!”
— William Bolcom, SongFest 2012-2018
Ross Lee Finney Professor Emeritus of Composition
University of Michigan, Ann Arbor
Pulitzer Prize 1988 National Arts Award 2006
“[SongFest is] beautifully tiered [with] full-program masterclasses, group-specific masterclasses, and private coachings and lessons. When you’re not at any of those, there are other classes to be at that are held in a variety of media, whether it’s in preparation for a themed concert or just for fun. When you’re not at a class, perhaps you’re at any of the plethora of concerts held here during the month, whether it’s a guest artist recital, a faculty artist recital, a CD release event, an alumni concert, or of course a student concert. When you’re not doing any of that, perhaps you’re hanging out in your extremely spacious Blaisdell Hall private single room. Sure, all of that sounds pretty great, but it doesn’t even take into account the best thing about the program.
At the price point of this program, one would expect a program with the kind of structure and perks listed above to have maybe fifteen really solid teachers and a few guest artists for the 60+ singers and 15 pianists studying here. Instead, there are 22 faculty members and several guest artists encompassing names like Thomas Hampson, John Harbison, Peter Sellars, Graham Johnson, Jake Heggie, John Musto, and many more. Faculty members come from all of the most respected places - from Juilliard to Eastman to CCM to San Francisco Conservatory to Mannes to New England Conservatory to the University of Michigan and more. All of the students here are honestly baffled that Rosemary got all of these incredible people to be in the same place with each other. SongFest really must be the greatest gathering of vocal educators for the purpose of teaching in the country.”